Laird Scranton | Velikovsky: Ancient Catastrophes

Velikovsky Ancient Catastrophes. Laird Scranton joins Dr. Rita Louise on Just Energy Radio where they discuss the controversial work of Immanuel Velikovsky and his book Worlds In Collision.

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Laird Scranton | Symbols of the Dogon

Laird Scranton is the author of "The Science of the Dogon: Decoding the African Mystery Tradition" and "Sacred Symbols of the Dogon: The Key to Advanced Science in the Ancient Egyptian Hieroglyphs". He's got a new book coming out in October called" The Cosmological Origins of Myth and Symbol: From the Dogon and Ancient Egypt to India, Tibet, and China". Laird has done extensive research on the intriguing Dogon people of North West Africa, their symbols, myths and mysterious origins of their knowledge. Topics Discussed: Dogon, Mali, Religious Tradition, Beta Israel, Ethiopian Jews, Comparative Cosmology, Written Language, Signature of the Parent Tradition, 15-20 Sub Languages, Ama, Amen, Serpent, Walter Van Beek, Symbolism of the Stupa, Sirius, Sbat, Cosmology of the Dogon, Binary Star System, Freemasonic Symbols, Astrological Symbols, Buddhism, Zep Tepi, Göbleki Tepe, Hebrew and Egyptian Hieroglyphs. Don't miss our second hour with Laird Scranton for more about the Dogon People, their Scientific Knowledge, the Cosmological Plan of the Teachers, Symbols and Myth. We discuss Genetic Engineering of seeds and Humans, what ancient cultures say about Prophecy, Catastrophe, and the Return of these "Teachers". What is the relationship to the Myths about the Fish, Jesus, the "Mer-people" or fish people and the symbolism of the Dog, Sirius the Dog Star? We also go into the Symbolism of the Crop Circles, languages that are Vowels, Gematria and more about "The Cosmological Origins of Myth and Symbol".

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Laird Scranton at CPAK 2008

Laird Scranton at CPAK 2008. The Dogon, an outwardly primitive African tribe from modern-day Mali, preserve a detailed cosmology in ancient form, cast in the themes, symbols and storylines of the classic world mythologies, and couched in the clearest of modern terms, yet expressed using ancient Egyptian words. The cosmology is founded on an aligned ritual shrine that takes the same form and evokes the same symbolism as a Buddhist stupa, and culminates in a religious tradition that expresses itself through many of the signature rituals of Judaism, such as the wearing of skull caps and prayer shawls, the practice of circumcision, and the celebration of a Jubilee year.  This presentation is an introduction to a pivotal culture that appears to stand at the very crossroads of ancient knowledge.

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Laird Scranton at CPAK 2007

Laird Scranton at CPAK 2007. Many of the glyph shapes used to write ancient Egyptian words are also defined in Dogon and Buddhist cosmology. This presentation announces an alternate method of interpreting Egyptian hieroglyphic words based on explicit Dogon and Buddhist definitions. From the perspective of this alternate approach, Egyptian cosmological words are seen to symbolically define both their own meanings and those of individual Egyptian glyph shapes. These symbolic interpretations produce clear, scientific definitions for concepts of astrophysics such as light, time, gravity, and acceleration, that are often worthy of Einstein himself. Excerpt from the full presentation.

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The Cosmological Origins of Myth and Symbol

From the Dogon and Ancient Egypt to India, Tibet, and China

The Cosmological Origins of Myth and SymbolFrom the Back Cover
ANCIENT MYSTERIES / SCIENCE

“Pursuing the powerful quest began in The Science of the Dogon, Laird Scranton provides . . . another compulsive read for those wishing to get to the heart of the ancient mysteries.”
--Andrew Collins, author of Beneath the Pyramids: Egypt’s Greatest Secret Uncovered

“Laird Scranton’s groundbreaking new research is a major piece of the puzzle that will forever change the way we view the knowledge of the ancients.”
--Edward G. Nightingale, author of The Giza Template

Great thinkers and researchers such as Carl Jung have acknowledged the many broad similarities that exist between the myths and symbols of ancient cultures. One largely unexplored explanation for these similarities lies in the possibility that these systems of myth all descended from one common cosmological plan. Outlining the most significant aspects of cosmology found among the Dogon, ancient Egyptians, and ancient Buddhists, including the striking physical and cosmological parallels between the Dogon granary and the Buddhist stupa, Laird Scranton identifies the signature attributes of a theoretic ancient parent cosmology that may well have spawned these great ancient creation traditions.

Examining the esoteric nature of cosmology itself, Scranton shows how this parent cosmology encompassed both a plan for the civilized instruction of humanity as well as the conceptual origins of language. The recurring shapes in all ancient religions were key elements of this plan, designed to give physical manifestation to the sacred and provide the means to conceptualize and compare earthly dimensions with those of the heavens. As a practical application of the plan, Scranton explores the myths and language of an obscure Chinese priestly tribe known as the Na-Khi--the keepers of the world’s last surviving hieroglyphic language. Suggesting that cosmology may have engendered civilization and not the other way around, Scranton reveals how this plan of cosmology provides the missing link between our macroscopic universe and the microscopic world of atoms.

The Cosmological Origins of Myth and Symbol reconstructs a theoretic parent cosmology that underlies ancient religion
• Shows how this parent cosmology provided the conceptual origins of written language
• Uses techniques of comparative cosmology to synchronize the creation traditions of the Dogon, ancient Egyptians, and ancient Buddhists
• Applies the signature elements of this parent cosmology to explore and interpret the creation tradition of a present-day Tibetan/Chinese tribe called the Na-Khi--the keepers of the world’s last surviving hieroglyphic language
Great thinkers and researchers such as Carl Jung have acknowledged the many broad similarities that exist between the myths and symbols of ancient cultures. One largely unexplored explanation for these similarities lies in the possibility that these systems of myth all descended from one common cosmological plan. Outlining the most significant aspects of cosmology found among the Dogon, ancient Egyptians, and ancient Buddhists, including the striking physical and cosmological parallels between the Dogon granary and the Buddhist stupa, Laird Scranton identifies the signature attributes of a theoretic ancient parent cosmology--a planned instructional system that may well have spawned these great ancient creation traditions.
Examining the esoteric nature of cosmology itself, Scranton shows how this parent cosmology encompassed both a plan for the civilized instruction of humanity as well as the conceptual origins of language. The recurring shapes in all ancient religions were key elements of this plan, designed to give physical manifestation to the sacred and provide the means to conceptualize and compare earthly dimensions with those of the heavens. As a practical application of the plan, Scranton explores the myths and language of an obscure Chinese priestly tribe known as the Na-Khi--the keepers of the world’s last surviving hieroglyphic language. Suggesting that cosmology may have engendered civilization and not the other way around, Scranton reveals how this plan of cosmology provides the missing link between our macroscopic universe and the microscopic world of atoms.
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Sacred Symbols of the Dogan 2007

2007Sacred Symols of the Dogon by Laird Scranton
From the Back Cover
ANCIENT CIVILIZATIONS / EGYPT

“Sacred Symbols of the Dogon will challenge the reader to seriously consider that ancient civilizations possessed a scientific sophistication rivaling our present-day theories of matter and the fundamental forces of physics. Highly recommended for anyone who has questioned the mainstream view of ancient civilization as scientifically primitive.”
--John Dering, chief scientist for lasers and special projects at Scientific Applications & Research Associates (SARA), Inc.

In his first book, The Science of the Dogon, Laird Scranton demonstrated that the cosmological structure described in the myths and drawings of the Dogon runs parallel to modern science (atomic theory, quantum theory, and string theory), with Dogon drawings often taking the same form as accurate scientific diagrams that relate to the formation of matter. Scranton also pointed to the close resemblance between the keywords and component elements of Dogon cosmology and those of ancient Egypt as well as to the implication that ancient cosmology may also be about actual science.

Sacred Symbols of the Dogon uses these parallels as the starting point for a new interpretation of the Egyptian hieroglyphic language. By substituting Dogon cosmological drawings for equivalent glyph-shapes in Egyptian words, a new way of reading and interpreting the Egyptian hieroglyphs emerges. Scranton shows how each hieroglyph constitutes an entire concept and that their meanings are scientific in nature. Using the Dogon symbols as a “Rosetta stone,” he reveals references within the ancient Egyptian language that define the full range of scientific components of matter--from massless waves to the completed atom--even suggesting direct correlations to a fully realized unified field theory.

Sacred Symbols of the Dogon Publisher: Inner Traditions

Dogon cosmology provides a new Rosetta stone for reinterpreting Egyptian hieroglyphs
• Provides a new understanding of Egyptian hieroglyphs as scientific symbols based on Dogon cosmological drawings
• Use parallels between Dogon and Egyptian word meanings to identify relationships between Dogon myths and modern science
In The Science of the Dogon, Laird Scranton demonstrated that the cosmological structure described in the myths and drawings of the Dogon runs parallel to modern science--atomic theory, quantum theory, and string theory--their drawings often taking the same form as accurate scientific diagrams that relate to the formation of matter. Scranton also pointed to the close resemblance between the keywords and component elements of Dogon cosmology and those of ancient Egypt, and the implication that ancient cosmology may also be about actual science.
Sacred Symbols of the Dogon uses these parallels as the starting point for a new interpretation of the Egyptian hieroglyphic language. By substituting Dogon cosmological drawings for equivalent glyph-shapes in Egyptian words, a new way of reading and interpreting the Egyptian hieroglyphs emerges. Scranton shows how each hieroglyph constitutes an entire concept, and that their meanings are scientific in nature. Using the Dogon symbols as a “Rosetta stone,” he reveals references within the ancient Egyptian language that define the full range of scientific components of matter: from massless waves to the completed atom, even suggesting direct correlations to a fully realized unified field theory.
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The Science of the Dogon by Laird Scranton

by Laird Scranton

The Science of the Dogon by Laird Scranton
The Science of the Dogon Publisher: Inner Traditions

The Science of the Dogon Publisher: Inner TraditionsThe Dogon people of Mali, West Africa, are famous for their unique art and advanced cosmology. The Dogon’s creation story describes how the one true god, Amma, created all the matter of the universe. Interestingly, the myths that depict his creative efforts bear a striking resemblance to the modern scientific definitions of matter, beginning with the atom and continuing all the way to the vibrating threads of string theory. Furthermore, many of the Dogon words, symbols, and rituals used to describe the structure of matter are quite similar to those found in the myths of ancient Egypt and in the daily rituals of Judaism. For example, the modern scientific depiction of the unformed universe as a black hole is identical to Amma’s Egg of the Dogon and the Egyptian Benben Stone.

The Science of the Dogon offers a case-by-case comparison of Dogon descriptions and drawings to corresponding scientific definitions and diagrams from authors like Stephen Hawking and Brian Greene, then extends this analysis to the counterparts of these symbols in both the ancient Egyptian and Hebrew religions. What is ultimately revealed is the scientific basis for the language of the Egyptian hieroglyphs, which was deliberately encoded to prevent the knowledge of these concepts from falling into the hands of all but the highest members of the Egyptian priesthood. The Science of the Dogon also offers compelling new interpretations for many of the most familiar Egyptian symbols, such as the pyramid and the scarab, and presents new explanations for the origins of religiously charged words such as Jehovah and Satan.

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